Thu 13 Jun
Times: Doors: 7.30pm at Red Brick Auditorium
We are delighted to welcome Scottish singer,-songwriter Eddie Reader to Square Chapel. Reader who is probably best-known as the former lead singer of the 80s band Fairground Attraction, has won multiple awards including three BRITS and found solo success with her top 40 singles ‘Patience of Angels’ and ‘Town Without Pitty’. She also famously harmonized with Annie Lennox touring with the Eurythmics, after her time with successful punk outfit Gang of Four.
Door Open: 7.30pm
Blue Rose Code: 8pm
Eddi Reader: 9pm
End time: 10.30pm
Eddi Reader grew up in Glasgow and Irvine, Scotland and it was in those towns that she learned to use music as a vehicle for communicating with others through busking and performing at the local folk clubs. In the early 1980s, Eddi travelled around Europe with circus and performance artists before moving to London where she quickly became a sought after session vocalist. She famously harmonized with Annie Lennox touring with the Eurythmics, after her time with successful punk outfit Gang of Four. It was the short-lived but warmly remembered Fairground Attraction that really brought her into the limelight and to the attention of a much wider audience. The single ‘Perfect’ and parent album First of a Million Kisses both topped the British charts.
However, it was her subsequent albums which signalled her increasing ability to assimilate different musical styles and make them all very much her own. Her unerring instinct for fine material, whether self penned, collaborative or a carefully chosen cover version resulted in Mirmama (1992), Eddi Reader (1994), Candyfloss & Medicine (1996), Angels & Electricity (1998), Simple Soul (2001)
Through these years Eddi based herself in London, but in 2001 she decided to move home to Glasgow where she recorded the classic ‘Songs Of Robert Burns’ album released to international acclaim in 2003. Awarded the MBE in 2006 for services to singing, she took her Burns songs on tour all over the world and found connections to the bard everywhere from Kolkata, India to Sydney, Australia. In 2006 she released ‘Peacetime’ on Rough Trade Records featuring the finest traditional players in the United Kingdom and produced by Folk Musician of The Year, John McCusker. Constant touring with her band has created a magical organic chemistry between Eddi and her players and the results of this relationship can be found on her most recent release.
‘Love Is The Way’, Eddi Reader’s seventh solo album, was released in March 2009 on Rough Trade Records.
Produced by Eddi herself, it is her best work so far. Recorded in a matter of days with her band in Glasgow, the record has captured the award winning songstress in her finest form. Songs written with her long time writing partner Boo Hewerdine, songs written with her life partner John Douglas (The Trashcan Sinatras) and a song from the magical Irish singer/songwriter Declan O’Rourke as well as a rare Brian Wilson composition, an Eddi/Fleetwood Mac ‘mash up’, and a wonderful song from Dublin songwriter Jack Maher.
2010 saw Eddi play sold out shows promoting “Love Is The Way” all over the world. It also brought Eddi’s Hollywood movie debut as she featured in Richard Linklaters, “Me And Orson Welles” with Zak Efron and Clare Danes. Eddi plays a chanteuse in the movie and is featured singing ‘Lets Pretend That There’s A Moon’ with the Jools Holland Orchestra. The original soundtrack features another two performances from Eddi.
From the traditional to the contemporary, Eddi brings joyous life to all forms of song. Her taste in co-writers, writers, songs and players is impeccable and anything with her name on it is guaranteed musical treasure. Whilst the perfection of her technique is widely acknowledged, what sets Reader apart is the depth and quality of the emotional performance; her ability not only to move the listener but to connect her experience to that of her audience. Her passion and instinct move people in a way reminiscent of those who have influenced her work. Her rare blend of meltingly true vocals and towering romanticism combine with an astute and pragmatic nature to make her a unique and powerful figure in contemporary British music. She has effortlessly developed into one of popular music’s most thrilling and affecting performers.
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